1. Joydeep exhibited superb control over the Ragdari and the mellifluous modulations were finely adjusted. While satisfying the rudimentary urges of the Raga, he offered interesting improvisations. The Taankari during the Gatkari in Jhaptal was always finished with decorative Tehais, leading to fine compositions. A good sense of Laykari bore witness to his hard Riaz and creative gift.

- The Statesman

2. Joydeep's virtousity on the sarod is quite remarkable and reveals, apart from talent, the sound guidance of a person who has inducted him into the basic technical motifs and niceties i.e. "setting the hand", as it is known.

- The Economic Times

3. During performance, Ghosh all along tried to remain faithful to his Talim, which was a praiseworthy aspect of his demonstration. He has advanced sufficiently in Technique, Power, and Speed which were relevant in his Gatkari, particularly when he was playing Bols typical of his school.

- The Telegraph

4. His excellence surfaces in the Gat where, in addition to his sense of Laya, his remarkable control of the strokes enables him to display a touch of class.

- The Economic Times

5. The Tankari together with the Tehais were well set and his playing was technically of a high standard. His redition showed hard Riaz and through Talim, The artiste utilized every corner of the three octaves and the rendition was brilliant.

- The Statesman

6. He played an excellent Alaap, Jod, Jhala in the Raga, sparkling with the perfection of his expression. The Teental Gatkari in Ragas Gaud Malhar and Kalavati was brilliantly executed with exquisite variations and delectable Tans.

- The Statesman

7. Joydeep has a high degree of professionalism in his performance. He plays with clarity and effectiveness. Each line has the force to be felt.

- The Statesman

8. Exuding confidence, his treatment of Vadi, Sadja, Samvadi, Pancham and Swaras in the total concert was highly competent.

- The Telegraph

9. The audiance admired the confidence with which Joydeep plays even the most complicated patterns. The artiste bids fair to develop into an original Sarodiya.

- The Statesman